To celebrate my release from the AOXOMOXOA ABRAXAS AOXOMOXOA SAXARBA AOXOMOXOA ( redacted redacted redacted ), I’ve gone ahead and uploaded a free four-song early 4-track tape demo I made around 1999 or thereabouts. It’s a hefty-sized file, but has FOUR FREE SONGS in it and still sounds pretty good, at least to my aging & somewhat deaf ears.

- Jack

Just right-click and choose “SAVE AS” to save the free album to your computer. Thanks for stopping by!

Jack_Merlot_unreleased_the_Driver_Down_Sessions_4_Song_EP

❝ ❦ Ðrινεr ❦ Ðσωη ❦ ❞

The previously unreleased Driver Down ➍-song EP, DRM-Free, MP3-Style for your enjoyment & perusal.

❝ ❦ Ðrινεr ❦ Ðσωη ❦ ❞

I’m currently attempting to extricate myself from the Dungeon of Deceit, 17th Circle Downwards Archimedean-Spiral Staircase courtesy of Dreamhaven Books in South Minneapolis.

Special Thanks to Dreamhaven for the assistance. Special Thanks to Neil Gaiman & Friend for the assistance & the papyrus raft & the emergency stim-pack rationale.

Special Thanks to Sir Tim Berners-Lee, Julian Assange, Matthew Broderick, Kevin Mitnick, Pastor Fretheim & Family & Friends of the Lutheran Brotherhood.

Special Thanks to Baby Ganesha, Baby Ganesh, & Falafel King in Uptown for their delicious Red Pepper Hummus.

Special Thanks to Ye Olde Country Timey Lemonade for the metal detector surplus sale & free trinkets.

Special Thanks to Vintage Music Co. of South Minneapolis. Scott, thanks for the additional information regarding the provenance of the cross-stitch, which is quite valuable information to me in regards to the ongoing recalibrations necessary to refabricate the Unicorn Factory Abstract Factory Method Method Maker Maker Niner Facade Maker Niner, and without which Mikah Niner would be Truly Lost.

Special Thanks to Killahertz & Scott, Scott from Vintage Music Co., Scotty, Scott Tissue, Great Scott!!! ( throws papyrus raft at the zoetrope and watches the sticky celluloid glue factory factory method maker abstractly drizzle more digitally imbalanced slipstick-friendly sextant coordinates across the back of the chalkboard. Again. )

Special Thanks to John the Printer, Molly, McGuire, & Friends. Special Thanks especially to Lunalux & Jenni Undis & All Undis Family & Friends of course.

Special Thanks to Kitty Rogers. Special thanks to the Specials, Red Squirrel Television on ESPN2, Albino Squirrelfriend on ESPN & BBC7 & BBC33.3 RPTNG RPTNG RPTNG rpt ng rpt tng TNG TNG TNG

- Jack Merlot

(such as myself)

WARNING: THIS SONG CONTAINS A SWEAR WORD AND ALSO ADULT SITUATIONS.

The Cat they Call Clyde

If you have trouble downloading, try right-clicking the link and choosing “Save As…”

Cheerio!

- Jack Merlot

To save the file, just right-click and “Save As…”

04_Jack_Merlot_unreleased_Molotov_Redemption

I’m pretty happy with this one. I learned a lot about envelope editing in Audacity, the software we use to multitrack these sessions. Audacity rocks!

Til next time,

- Jack Merlot

The lyrics are pretty out there, even for me. ;-)

It’s the beginning of a short novella/space opera/future sounds of the lounge band at the Martian bar “There & Kerrigan”, which currently doesn’t exist, but will, in say, 300 years or so.

To save the file, just right-click the link below and “Save As”.

Jack_Merlot_unreleased_04_Creosote_Dreams

Hope you don’t think I’m *too* crazy for this one, peeps!

hugs,

- Jack Merlot

This one goes out to my friend Claire Undis – thanks so much for your kindness and generosity, Claire!

If you have trouble downloading the file, try right-clicking on the link and “Save As”. If you’re on a Mac with only one button, well, that’s your own damn fault. ;-)

03_Jack_Merlot__Around_&_Aboot

Lyrics are forthcoming in short order – and please, if you enjoyed this track, take a minute to leave a comment. Here, or on Facebook or Twitter or what-have-you, and also, don’t forget, I love getting emails sometimes even though they’re kind of old school now.

jack at jackmerlot dot com

xoxo

- Jack

(yes, it’s kind of about, er, the Kindle. )

Right-click this link and Save As for the Kindle Song!

Hey, it’s another free song! When will they party stop?

(Um, never? One can only hope…)

Here is a previously unreleased song for your enjoyment, on the house.

It’s a little rough and some of the guitar work isn’t my best, but overall I really liked making the beat with my Drum Druid and the vocal harmonies kick.

If you have trouble downloading it, just right-click on the link and “Save As” or whatnot.

Love ya,

- Jack Merlot

I’m not even going to bug you for your email address or solicit donations or tips or what-have-you. (Aren’t I nice?)

Without further ado, download ‘Orchids for Betty’ right heah.

I stuffed the zip file as full as I could, cramming lots of digital doodads and technological tchotchkes to amuse and delight you and your loved ones as you sit around the campfire swilling cheap beer and swatting mosquitos.

Hopefully, this album, what with it’s fancy-schmancy artwork, liner notes, secret messages, encrypted codes, *full lyric sheets*, and lots of other surprises, will take your mind off the summer heat.

Enjoy!

- Jack Merlot

I thought maybe you’d be interested in hearing the evolution of a song, so today I’m posting the album version of Iris Florentine for your enjoyment.

Take a few minutes to compare the two tracks, I’m sure you’ll agree that the album version sounds a lot more polished.

That being said, though, sometimes I prefer the spontaneity of rough cuts, because you can really hear the song in it’s early stages, and it sometimes has a strange beauty to it that more fully “produced” recordings sometimes lack.

Thanks to everyone who came to the show last week – it was lots of fun for me to play a live set or two. I hope you’re all enjoying your copies of Orchids for Betty!

- Jack Merlot

the original (unreleased) artwork for the Dragon Child single

Download Dragon Child over heah.

As in:

Ya’ll come back now, ya heah?

- Jack Merlot

Dragon Child

copyright 2004 Jack Merlot – some rights reserved

— — —

Written & performed by Jack Merlot

Producer/recording engineer: Toby Lucien

Mastered by Diamond Fiction

— — —

it’s been years since I felt like this
with a sweet little honey on my wrist
won’t you come stand with me in the night
before the clutch of our death-grip comes tight

Oh my dragon
oh my dragon you can come with me
I don’t know where I’m standing, on a cliff

with your heart in my hands,
I will decide
we are vultures in a state of denial
when you talked with everybody at the bar
the other night I laughed
cuz I know you’re coming home
and that’s what I planned

oh baby this time it’s gonna be rough
I don’t think I can fly any further, myself, oh no
it’s been years since I felt you in my heart
and this ocean’s only tearin’ me apart

it’s been years since I felt like this
with the sweetest little honey and she’s
pulling on my wrist
oh sweet dragon child dragon child my friend
I wanna be with you until the bitter end

I won’t die, I won’t die
but you gotta stay with me now now
I know I’ve been f*cking up a lot but
it’s the way I am

This take is pretty rough, as it’s all first takes and done on my laptop, instead of on my Mac desktop, but it’s pretty cool to hear an acoustic version compared to the album version, which has bass, drums, and production values.

Download Iris Florentine. It’s free!

Single Cover Artwork by Estelle Johnson

- Jack Merlot

If you want, you can make up your own lyrics to go along with the song. Then you can pretend you’re in a rock ‘n roll band, just like Ping. Except the difference between you and Ping, is that he’s actually in a rock ‘n roll band, and you’re not.

But don’t feel bad. Life on the road isn’t always easy.

Taking a break from the harsh reality that is being in a band.

Ping and Mr. Pibb have an on-again, off-again relationship that typically ends with me having to separate the two of them for a while.

Here, Ping strikes a relaxed pose, having just finished a brutally challenging marathon recording session revolving around too much caffeine.

However, when the title of “World’s Most Famous Finger Cymbal Soloist” is up for grabs, who can say that his attentions are being inappropriately focused on the most trivial of pursuits?

Not I, that much is certain.

- Jack Merlot

We’ve been trying to figure out this whole Facebook thing lately. So, you should either

A. Search for Jack Merlot on Facebook and Be My Friend.

or,

B.

Go to my Page and become a fan.

Or, both!

Also, you really ought to be following me on Twitter.

We’ve got a lot to say about nanotechnology, “Jolene” by Dolly Parton, and what it feels like to sound like (as one recent music critic put it)

kind of like a Jonathan Richman with a mild nerve disorder. like it.

- Jack Merlot

This track, entitled Ghost Dobro is one of my favorites from the new album. It’s got a rich, chocolatey texture and plenty of leather-bones stretching to the stars, which is spooky enough that sometimes when I listen to it I get goosebumps.

Go ahead and download the single, “Ghost Dobro”, right heah.

And if you like it well enough, and can spare five bucks, head on over to the online music store and get the full album. It’s pretty great – five bucks for ten songs, cheaper than iTunes (and we think the music we make is more, uh, *charming* than most of what you see on iTunes these days… but, that’s just like, our opinion, man.)

Thanks for stopping by!

- Jack Merlot

This version was recorded in 2008 for the first Jack Merlot release.

Download Bohemian Bus right heah.

(greetings and salutations, fellow RPM Challengers/Redditors/Facebook frenemies)

I’ve got a special treat for you today – a free single from Orchids for Betty, our new album that we just completed for the RPM Challenge 2009.

Download Witness Protection right here. It’s a rollicking good tune, in my opinion. ;-)

- Jack
a.k.a. dragonfly_blue

Great news – the new album, Orchids for Betty is out! The store is online now, as well, so you can go check it out. Thanks in advance for supporting local & independent music – we really appreciate every single one of our fans.

Included in the album are ten brand-spanking new songs for your enjoyment, a complete set of lyrics & liner notes, some extra artwork, and more. Dare I say that it’s our best work yet?

Available now from the Jack Merlot Music Emporium & Curiosity Shoppe. And, for just five bucks, you really can’t get a better deal on some fresh new tunes.

(Unless you’re a pirate. Yaaaar!)

— — —

Special thanks to Jenni Undis, Nick Christensen, Estelle Johnson, Peter Mack, Colin Mullen, and the rest of ya’ll for your support. I’m sure there are other people I’m forgetting, but I’ll get to them later, I suppose.

- Jack Merlot

What does this mean?

Well, it means that we should have a fully mastered copy available by March 1st. (Diamond Fiction has notoriously short turnaround times. We don’t know how they do it. We’re just glad they do it.)

The first copy will of course be shipped to RPM Challenge headquarters for their review and archive. It’s been quite an exciting month, and it’s all thanks to their fine work (and motivational posters.)

As for availability to the general public, we’re hoping that the new Jack Merlot Music Emporium and Curiosity Shoppe is online by March 1st as well. It’s currently in the private beta testing stage, and things are proceeding swimmingly.

This means that anyone with a PayPal account (and five bucks) will be able to download the MP3 version of the album as early as next week! How exciting.

Why five dollars, you ask? Well, we’re just trying to cover the costs of bandwidth and server space and whatnot. It’s pretty cheap, for a full-length album, (cheaper than iTunes, even), and we’re proud of our work.

So, while you’ll still be able to download some music for free here at the main site, starting next week there will be certain items that will only be available through the online shoppe.

Check back next week, though – we’re probably going to release a free single (or two) off the album, so you’ll be able to check it out before you buy. Downloads will be available here, as usual.

Sayonara, Willow Trees!

- Jack Merlot

The challenge:

Record an album in 28 days, just because you can.

That’s 10 songs or 35 minutes of original material recorded during the month of February.

You can read the Jack Merlot blog over at the RPM Challenge site, but I’m reprinting it here since this is the “official” Jack Merlot website.

From the blog:

— — —

Well, I’ve gotten off to a good start on the Challenge, but as I’m listening to the CD-R’s I’ve burnt of the tracks I have so far, I’m picking out little bits and pieces that aren’t quite as perfect as I’d like. Which is ok, since I still have plenty of time, but still, I wish I’d either learn to let go of the little things or discipline myself during tracking so the tracks would turn out “better”.

I’ve got 8 songs finished, which means that I’ll probably end up re-recording four of them for the final album. It’s little details like polishing up the codas on a couple tracks or wanting to capture solos with better phrasing that I’m getting caught up in, but at least I feel that the songs are solid enough to be listenable even without virtuoso performances on each and every part.

I’ve been getting a lot of bang for my buck out of my Yamaha DD-55 Drum Druid on this project, which makes me happy. I’ve had it for years, but it’s only recently that I’ve sat down and read the manual and explored all the cool functionality it has to offer. It’s fully MIDI-capable and programmable, so you can create custom kits on it to match the feeling of the song, and it has around 200 individual drum samples on it, so it’s pretty easy to create kits that are tuned to the song.

I’m running the Drum Druid through my Digitech rackmount units; I’ve got a GFX1 Twin Tube pre-amplifier that has some pretty sweet tonalities, which I then run through a seriously old-school DSP256 multi-effects processor. 16-bit, yo.

I like being able to add a little tube crunch and saturation to the drums sometimes; it makes the kits sound more like real drums (well, real drums that aren’t being mic’ed properly, perhaps ;-) and makes them sound a little more “dangerous”, which is what I’m shooting for. I usually track snare and bass on one track, and cymbols on another, and toms on another, but it kind of varies depending on the song.

I also run my (well, it’s actually my girlfriend’s, and it’s a long story) electric bass (it’s a “Matao” bass made in Japan; I’ve never heard of them, have you?) through the GFX1 because it’s got a nice compressor section in it, and sometimes put a little chorus or tremelo effect on it with the DSP256.

I’ve got a Washburn 12-string guitar that I’m using for most of the guitar parts; sometimes I use an Epiphone acoustic my cousin’s ex-girlfriend left over here, but it’s pretty rare. The 12-string is strung up with only six strings, and it sounds pretty decent to me when I spend the time to mic it properly (and running it through the GFX1 pre-amp doesn’t hurt, either.)

I’ve got three microphones involved in the project, too, which I use for guitar (I only have acoustic guitars right now, dammit, but I mic them and run them through the Twin Tube for a little distortion now and again), and for vocals, which is working out pretty well. I’m using an Audio Technica ATM61HE for most of the vocals because it has a pretty wide dynamic range for a dynamic mic, and also because I can’t afford a condenser mic right now. I’ve got a Shure SM58 on loan from my cousin, Nick Christensen, which works pretty well for acoustic guitars, and another Shure mic that I think is super low-end, but hey, it works.

All my tracking is being done on another seriously old-school machine, a Mac G4 tower. I’ve upgraded the RAM and hard drive on it as far as it can go, and I’m able to get about 8-12 tracks recorded in Audacity with it before the software starts crashing on me. (I try to limit all my songs to 10 tracks for this reason; crazy, isn’t it?)

The Mac actually works pretty well, though, overall, and I’m able to record 4 tracks at once at 24-bit, 48Khz, which is impressive (well, impressive to me, at least) considering the age of the host machine. I attribute this success to the Tascam US-428 unit I’ve been using as my interface. It’s only USB 1.0, sure, and it’s only got 4 ins and 2 outs, but it works.

For monitors, well, I couldn’t afford monitors (or a proper reference amplifier, for that matter) so I’m using a very old Marantz “Stereophonic Receiver” (seriously, that’s what it says on the front!) model SR3100 (it’s not even a tube amp, dangit, but it sounds ok to me from here) to power a couple massive Fisher speakers (I’m too lazy to turn one around to find a model number right now.)

So. To summarize, I am extremely proud of the results I am getting from my extremely low-budget setup. It’s really gratifying to be able to burn CD-R’s of my works-in-progress and listen to them on other systems, where I can really take some time to analyze the tracks and learn what is working, and what is not. When all is said and done, I’ve found that my favorite recordings aren’t necessarily my favorites because I tracked them particularly well, but mostly are my favorites simply because I spent a long time crafting the song.

It takes me a while to write songs, because I spend a long time on the lyrics, the melodies, the harmony parts, the bass line, tuning the drums, making multiple takes of each song to find the tempo that works best, and really, trying to capture the feel of a live band with the limited resources I have. It’s definitely a challenge, in every sense of the word.

Thanks for the kick in the butt, RPM Challenge! I needed that.

I should have some tracks available for download sometime soon; in the meantime, if you go to http://www.jackmerlot.com you can find some seriously unpolished “early work” to download. ;-)

Happy tracking!

- Jack Merlot